follow us on:

  • Sony F3 with Zeiss CP.2 Lenses
  • Ty and Jewell for TV Guide
  • Ty and Jewell for TV Guide
  • F800 Promo
  • Bil and Shep React
  • Ty and Jewell for TV Guide
  • Ty and Jewell for TV Guide
  • Switcher Ad



Shooting on the road doesn't have to be a shot in the dark.

There's a saying in Texas: "This ain't our first rodeo." Whatever the shoot, it's likely our guys have done it before (even rodeos). Our DPs are all experienced, professional, creative and perhaps most importantly, very client service oriented.


How we do business

When we receive a request to book a crew, your AMP production coordinator jumps into action to determine the exact needs for your shoot.  She’ll book a DP for you from our roster of fabulous shooters, add a great sound op and/or other crew, then book the gear to your specifications.  She’ll ask all the right questions to ensure you have everything you need.


She’ll put together an estimate.  All our terms and conditions are presented in clear English and you’ll be asked to sign off to make sure all details are as agreed.


The crew is given the creative brief and call sheet.  If any details need to be coordinated directly with the crew, AMP’s production coordinator will put you in touch.


Before, during and after the shoot, AMP’s staff is on call to answer questions, assist with any last-minute changes, or handle any production emergencies.
Finally, after the shoot, your coordinator will follow up to make sure you are completely satisfied with your AMP camera crew experience.

 

Let us book a crew for you.

 


Some clients/shows using AMP crews:

 Daily Show Logo
ESPN Logo   Ortho McNeil Logo
 C-SPAN Logo Discovery Channel Logo   Doctor Phil Logo
 House Hunters Logo  NFL Network Logo  Richards Group Logo
T-Mobile logo   GRB Logo
 Thomson Reuters
 March of Dimes logo RedBull logo 

 

HBO logo

 Reebok logo  American Mueseum of Natural History    Wells Fargo logo
A&E Logo